WG1 RELEVANT BIBLIOGRAPHY
BOOKS
Anderson, John R. Cognitive psychology and its implications. New York : Worth publishers, 2004
Bregman, Albert S. Auditory Scene Analysis : The Perceptual Organization of Sound, The MIT Press, Reprint 1995 Annotation
Calvert, G., Spence, C., & Stein, B. (2004). The Handbook of Multisensory Processes. Bradford Books.
Delalande, F., Formosa, M., Frémiot, M., Gobin, P, Malbosc, P., Mandelbrojt, J., and Pedler, E. (1996). Les Unités Sémiotiques Temporelles: Éléments nouveaux d’analyse musicale.Marseille: Éditions MIM - Documents Musurgia. Annotation
Gescheider, G.A. Psychophysics: Method and theory. . New York: LEA, 1976
Handel, S. (2006). Perceptual coherence: hearing and seeing. New York, NJ:Oxford University Press.
Juslin, Patrik N. and Sloboda, John A. Music and Emotion, (Ed.) , Oxford Univ. Press, 2001 Annotation
Leman, M. (2007). Embodied Music Cognition and Mediation Technology. Cambridge, Mass., and London: The MIT Press
Macmillan, Neil A. and Creelman, C. Douglas. Detection theory : a user's guide. London : LEA, 2005
Moore, Brian C. J. An introduction to the psychology of hearing. Fifth edition. - Amsterdam ; Boston ; New York: Academic Press, 2003
Neuhoff, John G. Ecological psychoacoustics. Amsterdam ; Boston ; Heidelberg : Elsevier Academic Press, 2004
Rocchesso, D. and Fontana, F. (Eds.) (2003). The Sounding Object. Firenze: Edizioni di Mondo Estremo.
Schaeffer, P. (with sound examples by Reibel, G., and Ferreyra, B.) (1998, first published in 1967). Solfège de l’objet sonore. Paris: INA/GRM. Annotation
Stachowiak, Herbert. Allgemeine Modelltheorie (General Model Theory), Springer, Wien, New York, 1973 Annotation
Winograd, Terry and Flores, Fernando. Understanding computers and cognition, Ablex Publishing Company, 1986 Annotation
PAPERS ON SOUND QUALITY
Blauert, J and Jekosch U (1997). Sound Quality Evaluation - A Multi-Layered Problem. ACUSTICA - acta acustica, 83, 747-753.
Guski, R. (1997). Psychophysical methods for evaluating sound quality and assessing acoustic information. ACUSTICA - Acta Acustica, 83, 765-774.
PAPERS ON ECOLOGICAL ACOUSTICS
Gaver, W. W. (1993). How do we hear in the world? Explorations in ecological acoustics. Ecological Psychology, 5(4), 285-313.
Gaver, W. W. (1993). What do we hear in the world? An ecological approach to auditory event perception. Ecological Psychology, 5(1), 1-29.
PAPERS ON SOUND OBJECTS PERCEPTION
Ernst, M. O., & Bülthoff , H. H. (2004). Merging the senses into a robust percept. Trends in Cognitive Sciences, 8 (4), 162{169.
Griffiths, T. D., and Warren, J. D. (2004). What is an auditory object? Nature Reviews Neuroscience 5: 887–92.
McAdams, S., Chaigne A. and Roussarie V. (2004). The psychomechanics of simulated sound sources: Material properties of impacted bars. J. Acoust. Soc. Am., 115, 1306.
PAPERS ON ENACTION
Warren, William H. Enactive Perception: sensorimotor expectancies or perception-action invariants? In Proceedings of the 3rd International Conference on Enactive Interfaces : ENACTIVE/06 Enaction and complexity, Montpellier, November 20-21, 2006.
PAPERS ON INTERFACES FOR MUSICAL EXPRESSION, HUMAN-COMPUTER INTERACTION, GESTURE ANALYSIS
Cadoz, C., and Wanderley, M. (2000). Gesture-Music. In M. Wanderley and M. Battier (eds.) Trends in Gestural Control of Music. Paris: Ircam.
Gallese, V. and Metzinger, T. (2003). Motor ontology: The Representational Reality Of Goals, Actions And Selves. Philosophical Psychology, Vol. 16, No. 3, pp. 365-338.
Godøy, R. I. (2006). Gestural-Sonorous Objects: embodied extensions of Schaeffer’s conceptual apparatus. Organised Sound, 11:2:149-157 Annotation
Kohler, E., Keysers, C., Umiltà, M. A., Fogassi, L., Gallese, V., Rizzolatti, G. (2002). Hearing sounds, understanding actions: Action representation in mirror neurons. Science 297 (2002) 846 – 848 Annotation
Hunt, Andy and Kirk, Ross "Mapping strategies for Musical performance" in Trends in Gestural Control of Music, pp. 231-258, M. M. Wanderley and M. Battier (eds.), Ircam-Centre Pompidou, 2000,
Jacob, R. J., Sibert, L. E., McFarlane, D. C., and Mullen, M. P. 1994. "Integrality and separability of input devices" ACM Trans. Comput.-Hum. Interact. 1, 1 (Mar. 1994), 3-26. DOI= http://doi.acm.org/10.1145/174630.174631
Rosch, Eleanor and Mervis, Carolyn B. and Gray, Wayne D. and Johnson, David M. and Boyes-Braem, Penny. "Basic objects in natural categories." Cognitive psychology, 8:382–43, 1976.
Rovan, Joseph Butch and Wanderley, Marcelo M. and Dubnov, Shlomo and Depalle, Philippe "Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance" In KANSEI - The Technology of Emotion, AIMI International Workshop, Genova, 1997
Wilson, M., and Knoblich, G. (2005). The case for motor involvement in perceiving conspecifics. Psychological Bulletin 131(3): 460–73. Annotation
PAPERS ON APPLICATIONS
Gaver,William W."Auditory interfaces" In Handbook of Human-Computer Interaction, M. G. Helander and T. K. Landauer and P. Prabhu (eds.), pp. 1003-1041, Elsevier, 1997
PAPERS ON ASSESSMENT METHODS AND COGNITIVE MODELS
Honing, H. (2006) The role of surprise in theory testing: Some preliminary observations, In: Proceedings of the 9th International Conference on Music Perception and Cognition, p. 38 - 41, Bologna, Italy Annotation
Nagel, F., Kopiez, R., Grewe, O. and Altenmüller, E. EMuJoy - Software for continuous measurement of perceived emotions in music. Behavior Research Methods, 39(2), p. 283-290. 2007 Annotation
Reiter, U. and Köhler, T. Criteria for the Subjective Assessment of Bimodal Perception in Interactive AV Application Systems IEEE/ISCE'05, International Symposium on Consumer Electronics, Macau SAR/China, June 2005 Annotation
PAPERS ON MEANING OF SOUND
Steele, D., Chon, S.H. (2007) A Perceptual Study of Sound Annoyance, In: Proceedings of the 2nd Conference on Interaction with Sound, p. 19 - 24, Ilmenau, Germany Annotation
Tuuri, K., Mustonen, M-S, Pirhonen, A. (2007) Same Sound - Different Meanings: A Novel Scheme for Modes of Listening, In: Proceedings of the 2nd Conference on Interaction with Sound, p. 13-18, Ilmenau, Germany Annotation
INSPIRING REFERENCES
Aucouturier, J.-J., Defreville, B. and Pachet, F. The bag-of-frame approach to audio pattern recognition: A sufficient model for urban soundscapes but not for polyphonic music. Journal of the Acoustical Society of America (2007)
Danielsen A. 2006. Presence and Pleasure - The Funk Grooves of James Brown and Parliament. Middletown, Connecticut: Wesleyan University Press
Guedes, C. (2007) Translating dance movement into musical rhythm in real time. IN proceedings of ICMC 2007
Michalowski, M.P., Sabanovic, S., Kozima, H. (200) A dancing robot for rhythmic social interaction, Proceedings of HRI 2007. http://www.cs.cmu.edu/~marekm/publications/HRI07MichalowskiEtal.pdf
Oliver, N. and Flores-Mangas, F. 2006. MPTrain: a mobile, music and physiology-based personal trainer. In Proceedings of the 8th Conference on Human-Computer interaction with Mobile Devices and Services (Helsinki, Finland, September 12 - 15, 2006). MobileHCI '06, vol. 159. ACM, New York, NY, 21-28. DOI= http://doi.acm.org/10.1145/1152215.1152221
Ostergren, M. and Julin, O. Car Drivers Using Sound Pryer - Joint Music Listening in Traffic Encounters, in K. O'Hara and B. Brown (Eds.), Consuming Music Together pp 173-190, 2005
Pressing, J. (1997) Some Perspectives on Performed Sound and Music in Virtual Environments, Presence, 6(4), p. 482-503 Annotation
Thaut M., "Rhythm, Music and the Brain - Scientific foundations and clinical applications" Routledge, 2005
Weinberg G., Driscoll S. "Robot-Human Interaction with an Anthropomorphic Percussionist", Proceedings of International ACM Computer Human Interaction Conference (CHI 2006)
